Wildly differing in style, Wach and Tuka's latest two-handers both play with ideas of disappearance to our sense of being. The episodic ritual of Private Inventory, conceived as a choreography of the hidden, is followed by an imaginary workshop of Joseph Beuys, the setting for an exploration of self-sacrifice and transformation in How the Hares are Dying.
More about the artists: http://tukawach.com/shows/