Showcase Event

Participating speakers: Aleksander Bassin (curator and art critic), Andreja Hribernik (exhibitions between 1965 and 1985 at the Art Pavilion Slovenj Gradec), Teja Merhar (SFR Yugoslavia’s International Collaborations in Culture with Developing[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

Nika Ham’s creative practice presents the special relation between her artistic work and her “day job”. Her creative impulse stems from her specific situation as a young artist working part-time as a museum attendant at the Museum[]

Teaser for a single channel HD video, 23 min 43 sec, stereo.

A guided tour of The Unmaking of Art – Revisited at the Sites of Sustainability. Manifestos, Pavilions and Crypts exhibition, by the Technical Assistant of the Museum of Modernity. []

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

A look through a lens of ice: the distorted world reflects a vague, glimmering surface peopled with twisted forms offering momentary glimpses of the viewer’s own reflection. The spectacle takes place in the bowels of the earth, phantasmagorical[]

The marathon guide was part of the program to mark the 70th anniversary of the founding of the Museum of Modern Art and the seventh anniversary of the opening of the Museum of Contemporary Art Metelkova. Unlike the ordinary public guided tours[]

The exhibition prepared by the Department for Restoration of the University of Ljubljana, Academy of Fine Arts and Design (UL ALUO) and the Department for Conservation-Restoration of the Museum of Modern Art and Museum of Contemporary Art Metelkova[]

The exhibition comprises four chapters. The artist’s production in his OHO years is presented with a number of his rapid installations in parks, forests, fields, and rivers: working with wooden sticks, string, candles or rolls of paper,[]

In 2007, three Slovenian artists joined the conservative Slovenian Democratic Party (SDS) and officially changed their names to that of the leader of the party, the Prime Minister of Slovenia at the time, Janez Janša. While they renamed[]

Car Deconstruction has very simple premises. At the workshop/performance, the artist and a group of inquisitive girls disassemble a car. They not only learn how to use tools, but also how to use their physical skills. The goal of a three-day[]

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Arjan Pregl's artistic practice expands into social space, making use of and critically reflecting (on) various available media. Taking into consideration his own role in society, Pregl develops critical, political, and resistance strategies. In[]

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Meta Grgurevič deals with questions of intimacy; cleansed elements of everyday life, traces of history and memory, playfulness of figures, enhanced triviality of objects and pop culture. []

The Technology of Making and Preserving Works of Art This project is the result of collaboration between Moderna galerija's Restoration-Conservation Department, the Restoration Department of the Academy of Fine Arts and Design at the[]

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The exhibition was based on the documentation of a year-and-a-half-long action of looking for work, evolving around an ad stating: Visual artist urgently looking for any kind of work, which was published continuously in local advertising[]

In the performance, Ana speaks out and write down the names and surnames of 126 female artists which she has learned by heart by a predefined order. The number of the names is the same as the number of male artists she came up with by[]

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Autoinducer_Ph-1 (cross cultural chemistry) exploits a traditional rice cultivation technique from SE Asia where Azolla is grown in large quantities and used as an organic, nitrogen rich fertilizer in the rice paddies. In the installation this[]

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Although comics are inseparably related to the innumerable deceptive faces of humour, they are more about parodied and satiric (mocking) laughter, and usually more about guys. Stripburger#46 dedicated more than half its pages to works by Slovene[]