Jonas Staal

Photo: Dejan Habicht / Moderna galerija, Ljubljana, 2019
Art fields Contemporary art practice
Born 1981, Zwolle, Netherlands
Homepage http://www.jonasstaal.nl/
RazUme Database Link to database of artists and exhibitions.

Biography

Jonas Staal is a visual artist whose work deals with the relation between art, propaganda, and democracy. He is the founder of the artistic and political organization New World Summit (2012–ongoing) and the campaign New Unions (2016–ongoing). With BAK, basis voor actuele kunst, Utrecht, he co-founded the New World Academy (2013-16), and with Florian Malzacher he is currently directing the utopian training camp Training for the Future (2018-ongoing) at the Ruhrtriennale in Germany. Recent exhibition-projects include Art of the Stateless State (Moderna Galerija, Ljubljana, 2015), After Europe (State of Concept, Athens, 2016), Museum as Parliament (with the Democratic Federation of North Syria, Van Abbemuseum, Eindhoven, 2018) and The Scottish-European Parliament (CCA, Glasgow, 2018). His projects have been exhibited widely, among others at the 7th Berlin Biennial (2012), the 31st São Paulo Biennale (2014), the Oslo Architecture Triennial (2016) and the Göteborg Biennale (2017). Recent publications and catalogs include Nosso Lar, Brasília (Jap Sam Books, 2014), Stateless Democracy (With co-editors Dilar Dirik and Renée In der Maur, BAK, 2015) and Steve Bannon: A Propaganda Retrospective (Het Nieuwe Instituut, 2018). His book Propaganda Art in the 21st Century is forthcoming from the MIT Press in the fall of 2019. Staal completed his PhD research on propaganda art at the PhDArts program of Leiden University, the Netherlands.

Documentation

Staal, Jonas, Emancipatory Propaganda, MG+MSUM, Ljubljana, 29 May 2019, 18' 46"

Umetniška dela

Type Seminar
Date 29 May 2019
City of production Ljubljana
Format 1920x1080
Duration 18:46

In the new edition of the Glossary of Common Knowledge (2018-2022) Geopolitics referential field is repeating from the previous edition (2013-2018) because we feel such wide referential fields can never be fully exhausted. []