Performance

Video documentation. Camera and Edit: Urša Rahne. Copyright: BY-NC-SA.

The video Mercedes Matrix documents a collective performance, originally performed at the 2019 edition of Krass Kampnagel festival in Hamburg, in which the artist and her family re-enacted their usual daily labour practice: the dismantling of a[]

the lovest, revisited is a short documentary film (25 min), about JAŠA’s project entitled the lovest, a durational situational installation, a work in progress punctuated with events, which took place in the basement of Museum of Modern[]

In Pavilion, Peter Rauch continues to follow the method developed in his series Objects and Community, basing his approach on his understanding of the correlation between an object and its function, or the meaning of an object and[]

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The video is a documentation of a year-and-a-half-long action of looking for work, evolving around an ad stating: Visual artist urgently looking for any kind of work, which was published continuously in local advertising publications. []

The video is a documentation of a year-and-a-half-long action of looking for work, evolving around an ad stating: Visual artist urgently looking for any kind of work, which was published continuously in local advertising publications. While[]

The video is a documentation of a year-and-a-half-long action of looking for work, evolving around an ad stating: Visual artist urgently looking for any kind of work, which was published continuously in local advertising publications. []

The video is a documentation of a year-and-a-half-long action of looking for work, evolving around an ad stating: Visual artist urgently looking for any kind of work, which was published continuously in local advertising publications. []

The video is a documentation of a year-and-a-half-long action of looking for work, evolving around an ad stating: Visual artist urgently looking for any kind of work, which was published continuously in local advertising publications. []

The video is a documentation of a year-and-a-half-long action of looking for work, evolving around an ad stating: Visual artist urgently looking for any kind of work, which was published continuously in local advertising publications. While[]

The video is a documentation of a year-and-a-half-long action of looking for work, evolving around an ad stating: Visual artist urgently looking for any kind of work, which was published continuously in local advertising publications. []

Evaluation of a-year-and-a-half-long project, in which the artist worked as a cleaner, a waitress, a vendor, a distributor... In all cases, apart from the work found “through a connection”, she was underpaid and treated as a person[]

Radioactive materials, their properties, and effects are one of the most tabooised fields of science and technology, and beset by entrenched opinions. The mix of prejudice produces an almost complete suppression and absence of public discussion which[]

The Arsenal DEPO programme is published on radioCona that was broadcasting the events on 88.8 MHz. []

Radioactive materials, their properties, and effects are one of the most tabooised fields of science and technology, and beset by entrenched opinions. The mix of prejudice produces an almost complete suppression and absence of public discussion which[]

Radioactive materials, their properties, and effects are one of the most tabooised fields of science and technology, and beset by entrenched opinions. The mix of prejudice produces an almost complete suppression and absence of public discussion which[]

Say Cheese is artist Oreet Ashery's series of experimental, process-based interactions with her alter-ego Marcus Fisher that took place in 7 bedrooms across the world. There is extensive documentation of Say Cheese in the Archive section. Ashery[]

Fragments from an eight-hour video installation, 2002-2006, 66' []