»The theatre of repetition is opposed to the theatre of representation, just as movement is opposed to the concept and to representation which refers it back to the concept. In the theatre of repetition, we experience pure forces, dynamic lines in space which act without intermediary upon the spirit, and link it directly with nature and history, with a language which speaks before words, with gestures that develop before organized bodies, with masks before faces, with specters and phantoms before characters – the whole apparatus of repetition as »a terrible power«.
(Gilles Deleuze, Difference and Repetition) Bara Kolenc
