Theatre

Simona Semenič’s first solo theatre piece entitled I, Victim. premiered in the context of the 13th City of Women Festival in 2007. The autobiographical text and performance that Simona directed and performed herself dealt with her[]

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The actress enacts her own death as a deeply intimate and extremely theatrical sensation all at the same time. Drop Dead is a play in which we all must act-out our role: the performer becomes a corpse, the viewer becomes an undertaker, the[]

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The actress enacts her own death as a deeply intimate and extremely theatrical sensation all at the same time. Drop Dead is a play in which we all must act-out our role: the performer becomes a corpse, the viewer becomes an undertaker, the[]

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The Girl from Nowhere, a solo work by live artist/theatre maker Marisa Carnesky, explores women and displacement, otherness, ethnicity, cultural belonging, sexual identity, and memory, in relation to East European immigrant and refugee women’s[]

‘Ye shall not make any cuttings in your flesh for the dead, nor tattoo any marks upon you: I am the Lord.’ (Leviticus 19: 27–28) []

‘Ye shall not make any cuttings in your flesh for the dead, nor tattoo any marks upon you: I am the Lord.’ (Leviticus 19: 27–28) []

‘Ye shall not make any cuttings in your flesh for the dead, nor tattoo any marks upon you: I am the Lord.’ (Leviticus 19: 27–28) []

Transsexualism is usually viewed in two very distinct matters: a) as a highly intellectual issue of ''gender sublimation'' that quotes the cults of Cybele or the Greek myths, completely ignoring everyday reality b) as a very[]

Transsexualism is usually viewed in two very distinct matters: a) as a highly intellectual issue of ''gender sublimation'' that quotes the cults of Cybele or the Greek myths, completely ignoring everyday reality b) as a very[]

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