During the festival, Dr. Keka provided preventive and curative interventions as well as treatment of minor dental-health ailments suffered by precarious cultural workers. Dr. Keka »suggests« the following: »In light of the global objective and subjective globalisation of the subject, in the self-consciousness of a multiple body aware of its non-existence, neither at a zero level of the subject nor in the material world of a group of people waiting for a number eight bus, or in the hopeless product of recording the process of awaiting your turn in a dental waiting room, the artist-dentist – who is actually that third thing – considers the immanence of ripping out of the vicious circle of her practise-existence as the agent of capital, and just records the process-result of this (imp)personal (non)production.«
