Documentation

The first part in a series of six short insights into the topics offered by the exhibition of late works by Andrzej Wróblewski in the Museum of Modern Art, Ljubljana. Every weekend.

The first part in a series of six short insights into the topics offered by the exhibition of late works by Andrzej Wróblewski in the Museum of Modern Art, Ljubljana. Every weekend.

The fourth part in a series of six short insights into the topics offered by the exhibition of late works by Andrzej Wróblewski in the Museum of Modern Art, Ljubljana. Every weekend. Next topic: Headless Parents.

The third part in a series of six short insights into the topics offered by the exhibition of late works by Andrzej Wróblewski in the Museum of Modern Art, Ljubljana. Every weekend. Next topic: Headless Parents.

The second part in a series of six short insights into the topics offered by the exhibition of late works by Andrzej Wróblewski in the Museum of Modern Art, Ljubljana. Every weekend. Next topic: Headless Parents.

The first part in a series of six short insights into the topics offered by the exhibition of late works by Andrzej Wróblewski in the Museum of Modern Art, Ljubljana. Every weekend. Next topic: Headless Parents.

This is the first international exhibition of Wróblewski's work that is dedicated solely to his travels across Yugoslavia and his late work. It showcases more than 120 of his works from the period between 1955 and 1957. The curators[]

The exhibition centres on the artist’s ongoing investigation into the idea of political gifts of culture, exploring their role within national and political structures during moments of European crisis in the 20th century.

Note: the lecture was given in Spanish. The video is presenting a simultaneous translation to English. []

Moderna galerija has long collaborated with the Department of Restoration of the Academy of Fine Arts and Design of the University of Ljubljana on several projects involving young future professionals, who join in the research, diagnostics,[]

Moderna galerija has long collaborated with the Department of Restoration of the Academy of Fine Arts and Design of the University of Ljubljana on several projects involving young future professionals, who join in the research, diagnostics,[]

How does that reflect in the visual arts? How does art confront the point where absolutely everything can be taken away from us? Not simply as physical death, but as death while still alive. One of the fundamental issues of 20th century art was how[]

Concept []

A short presentation of the program of current exhibitions at the Museum of Modern Art and the Museum of Contemporary Art Metelkova when reopening after the quarantine.

Karol Radziszewski presents a rich selection of Central and Eastern European queer archival materials from the collection of the Queer Archives Institute (QAI). The QAI, established by Radziszewski in November 2015, is a non-profit artist-run[]

The Rojava Film Commune, a collective of filmmakers founded in 2015 and based in the autonomous region of Rojava (which means “West” and refers to the western part of Kurdistan in contemporary northern Syria), inaugurate their[]

The seemingly paradoxical abstract mixtum compositum that is prospective archaeology consists of a practice that operates in accordance with two opposing arrows of time. One of these arrows is oriented vertically into the deep time of cultures that[]

General knowledge associates the concept of transparency with glass. However, glass not only stands for transparency, but also for a lack of aura. As Walter Benjamin held in Experience and Impoverishment, “glass is at all the enemy of[]

The talk will investigate the concept of transparency in the writings of Paul Scheerbart, Sigfried Giedion, and Walter Benjamin. Transparency was debated and theorized across the intellectual field, from architecture, the visual arts, and cinema, to[]

Functionality, inventiveness and aesthetics of pure forms are only a few of the basic guidelines of the educational programme of the Bauhaus, school for architecture, art and design, which today denotes a recognisable expression – not only in[]

Prof. Edvard Ravnikar, the Head of the Faculty of Architecture, Civil Engineering and Geodesy of Ljubljana, introduced a new experimental design programme – the B Course – in 1960. Along with his colleagues, he wished to convey to the[]

Bauhaus: the Imperative of Transparency was critically question the interconnection of transparency and the ideas of the famous school in the fields of architecture, art and education, and in society in general. It was also elaborate on the[]