Media art

Video documentation. Camera and Edit: Urša Rahne. Copyright: BY-NC-SA.

Made by Dejan Habicht and Dominik Mahnič. Copyright: BY-NC-SA.

Presentation of the original project and its technical revival and reinterpretation. Available only in Slovene. Video copyright: BY-NC-SA.

The lecture was a part of the opening program of  Sites of Sustainability. Pavilions, Manifestos, and Crypts exhibition. []

In his minimalist installations of the last two years, Anže Sever’s focus has been on visible reality and the hidden potentials of space, which he explores with technology, light, and sound, and tests with disruptions, duration, and motion. []

Sanela Jahić is an intermedia artist who constructs visual and technologically supported kinetic objects and installations. Through technological tools, she problematizes society and individuals in it. In her latest production the artist places the[]

With its technological concept, the performance sets itself apart from classic practices in audiovisual composition, as it intervenes in the field of technology use in an innovative way and broadens the notion of data media. The authors use as the[]

The sound performance draws on the tradition of investigation in the field of experimental techno media associated with the production and distribution of sound signals in mechanics, electronics and art. Engineered sound machines combine elements of[]

The Arsenal DEPO programme is published on radioCona that was broadcasting the events on 88.8 MHz.

The Arsenal DEPO programme is published on radioCona that was broadcasting the events on 88.8 MHz. []

Kapelica Gallery and Centre for Urban Culture Kino Šiška present superstar disco-noise-pop group MAYWA DENKI, featuring three human performers and an orchestra of robotized musical instruments. The performers’ rigorous corporate[]

Kapelica Gallery and Centre for Urban Culture Kino Šiška present superstar disco-noise-pop group MAYWA DENKI, featuring three human performers and an orchestra of robotized musical instruments. The performers’ rigorous corporate[]

In the individual development phases of the project Robot Partner, we strive to explore the basics of and the relationships in the partnership between man, other living beings and machine. The project reflects on contemporary values, ideas and images[]

Electromagnetic waves from space in the frequency 10.95 – 11.7 GHz are captured with a radio receiver and computer interface, and translated into signals that the performer senses through electrodes attached to her body. The electrodes attached[]

The two performers are connected to the instruments’ electronic network. They can produce sound by approaching each other and further, by establishing any form of physical contact like touching, hitting, kissing, etc. The sound that they[]

A solo performance including sound, video, video motion capture, text and body positions, dealing with bodies, machines, and everything in-between.

Autoinducer_Ph-1 (cross cultural chemistry) exploits a traditional rice cultivation technique from SE Asia where Azolla is grown in large quantities and used as an organic, nitrogen rich fertilizer in the rice paddies. In the installation this[]

Autoinducer_Ph-1 (cross cultural chemistry) exploits a traditional rice cultivation technique from SE Asia where Azolla is grown in large quantities and used as an organic, nitrogen rich fertilizer in the rice paddies. In the installation this[]

Sound intervention Error Trash v.1.3 continues experimentations of the 'Parallel Error Data 1.1' project where the process is focused on questions related to 'real-time' transmissions of audio-visual data in contemporary mass-used[]

The robot for the materially deprived is constructed entirely from old computer hardware and a few spare parts that can be obtained at no cost. Computers are nowadays more or less treated as basic home equipment and cultural code, no longer reserved[]

Break21, the 6th international festival of emerging artists, was entitled Dead or Alive. The apocalyptic tone of the syntagm Dead or Alive involves the staging as well as practical thinking on the paradigms of the living, semi-living, semi-dead and[]

Break21, the 6th international festival of emerging artists, was entitled Dead or Alive. The apocalyptic tone of the syntagm Dead or Alive involves the staging as well as practical thinking on the paradigms of the living, semi-living, semi-dead and[]

In the interactive performance of Blood is Sweeter Than Honey, the body of the performer is divided as with a butcher. Each of the eleven pieces of meat is dedicated to one of the artists who have fatal effects on the work of Tandem Eclipse,[]

In the interactive performance of Blood is Sweeter Than Honey, the body of the performer is divided as with a butcher. Each of the eleven pieces of meat is dedicated to one of the artists who have fatal effects on the work of Tandem Eclipse,[]

A selection of net-art was presented in the context of Break21: Dead or Alive festival: []

This is a period in which hype, accompanied by virtual reality and cyber space with its computer mediated communications, is undeniably over. Despite ideological and euphoric constructions of social cybercultural reception in the early nineties,[]

A system has been developed for the actuation of a body. A touch - screen interface to a multiple muscle stimulator allows the body's movements to be programmed by touching the muscle - sites on the computer model. Orange flesh maps the possible[]

'Epizoo' takes up one of the old themes of Body Art - the exposure of the artist's body - while adapting it to the new possibilities opened up by current mechanical and computer technology. The result is a hybrid of performance and[]