Showcase Event

The lecture talks about the processes of collective communication with Earth as a form of art. In practice, this is about discovering the philo-sphere – the love sphere of individual natural and urban sites. In the same way as it has an[]

Presentation of the original project and its technical revival and reinterpretation. Available only in Slovene. Video copyright: BY-NC-SA.

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

Nika Ham’s creative practice presents the special relation between her artistic work and her “day job”. Her creative impulse stems from her specific situation as a young artist working part-time as a museum attendant at the Museum[]

Choreographic statements are part of the Temporary Slovene Dance Archive’s exhibition programme hosted by +MSUM's Draught Series. Documentation and archiving process present such kind of use of time in dance work that inventories[]

A look through a lens of ice: the distorted world reflects a vague, glimmering surface peopled with twisted forms offering momentary glimpses of the viewer’s own reflection. The spectacle takes place in the bowels of the earth, phantasmagorical[]

In Piscis ludicrous / Transfixed Gaze (Lygophilia) she showcases a non-human-subject, the Mexican salamander known as axolotl – one of many non-furry friends that have long transfixed the human mind – through different narratives: []

The Green Drawings is a project that uses the logic of free market capitalism to limit the total amounts of carbon dioxide (CO2) emissions into the atmosphere. Current environmental politics put great faith in the free market to govern[]

In Pavilion, Peter Rauch continues to follow the method developed in his series Objects and Community, basing his approach on his understanding of the correlation between an object and its function, or the meaning of an object and[]

In his minimalist installations of the last two years, Anže Sever’s focus has been on visible reality and the hidden potentials of space, which he explores with technology, light, and sound, and tests with disruptions, duration, and motion. []

Sanela Jahić is an intermedia artist who constructs visual and technologically supported kinetic objects and installations. Through technological tools, she problematizes society and individuals in it. In her latest production the artist places the[]

In recent years we have seen the emergence of urban community gardens, which are more than just about gardening, they are also a form of self-organizing and self-management, and a testing ground for diverse models of community living. New generations[]

Primož Bizjak explores local histories, borders, and symbolic boundaries. His interest focuses on space and architecture as they relate to society and the time we live in. Characteristic of his photographic approach is the use of long exposures,[]

Arjan Pregl's artistic practice expands into social space, making use of and critically reflecting (on) various available media. Taking into consideration his own role in society, Pregl develops critical, political, and resistance strategies. In[]

The works at the Triple Section exhibition connect urban situations in Brborović's two cities of residence. Though the works form parts of different series, the works on show here tell a tale of industrial areas and housing[]

Potočnik's banal direct realism attempts to present something spectacular or overlooked for the viewer to re-evaluate it. The choice of motives is dictated by everyday life events and the environment, and the painter is not particular or[]

Meta Grgurevič deals with questions of intimacy; cleansed elements of everyday life, traces of history and memory, playfulness of figures, enhanced triviality of objects and pop culture. []

  []

  []

  []

  []

  []

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]