Music

the lovest, revisited is a short documentary film (25 min), about JAŠA’s project entitled the lovest, a durational situational installation, a work in progress punctuated with events, which took place in the basement of Museum of Modern[]

The performance is a part of the opening program of  Sites of Sustainability. Pavilions, Manifestos, and Crypts exhibition. []

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The Arsenal DEPO programme is published on radioCona that was broadcasting the events on 88.8 MHz. []

The Arsenal DEPO programme is published on radioCona that was broadcasting the events on 88.8 MHz.

Schizogram works through real-time cinematic abuse of analogue and digital technology. Interconnected AV equipment becomes sensitive, it is pushed to function in realms in which it behaves unpredictably. The abstract aesthetic of glitch and error is[]

The Arsenal DEPO programme is published on radioCona that was broadcasting the events on 88.8 MHz.

The Arsenal DEPO programme is published on radioCona that was broadcasting the events on 88.8 MHz.

The Arsenal DEPO programme is published on radioCona that was broadcasting the events on 88.8 MHz.

The Arsenal DEPO programme is published on radioCona that was broadcasting the events on 88.8 MHz.

The Arsenal DEPO programme is published on radioCona that was broadcasting the events on 88.8 MHz. []

Kapelica Gallery and Centre for Urban Culture Kino Šiška present superstar disco-noise-pop group MAYWA DENKI, featuring three human performers and an orchestra of robotized musical instruments. The performers’ rigorous corporate[]

Kapelica Gallery and Centre for Urban Culture Kino Šiška present superstar disco-noise-pop group MAYWA DENKI, featuring three human performers and an orchestra of robotized musical instruments. The performers’ rigorous corporate[]

Kapelica Gallery and Centre for Urban Culture Kino Šiška present superstar disco-noise-pop group MAYWA DENKI, featuring three human performers and an orchestra of robotized musical instruments. The performers’ rigorous corporate[]

Notice: Severely damaged sound and video on original miniDV tape. []

Irena Tomažin's project is a 'one woman band' performance for “voice and two sound recorders in which she is weaving a story through the primary human sund device: voice. She has not gone through music school and her voice is not[]

A solo performance including sound, video, video motion capture, text and body positions, dealing with bodies, machines, and everything in-between.

Sound intervention Error Trash v.1.3 continues experimentations of the 'Parallel Error Data 1.1' project where the process is focused on questions related to 'real-time' transmissions of audio-visual data in contemporary mass-used[]

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New sonic dimensions are reached with the help of computer, live electronic processing and the Body SynthTM (which allows Pamela Z to manipulate sound with physical gesture), in addition to much more uncommon instruments, giving off peculiar sound[]

New sonic dimensions are reached with the help of computer, live electronic processing and the Body SynthTM (which allows Pamela Z to manipulate sound with physical gesture), in addition to much more uncommon instruments, giving off peculiar sound[]

The body connected to electronic devices turns into an instrument revealing a fanatic aria, which is an ode to the power of life. The performance took place on an improvised elevated stage in the Kapelica Gallery courtyard. The artist used[]

Shulgin initiated his project Cyberpunk Rock. 386 DX in 1998. According to his words, this is "the world's first cyberpunk rock band", in which he performs known covers of rock bands with the use of his computer[]

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