Dance

30 Seconds for Preservation happens as a periodical routine at a certain time each day when a group of people simultaneously open all the widows of the exhibition space in order to let the air flow freely through the space - from the inside out[]

Choreographic statements are part of the Temporary Slovene Dance Archive’s exhibition programme hosted by +MSUM's Draught Series. Documentation and archiving process present such kind of use of time in dance work that inventories[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

“Matilda is a woman; at least, she usually looks like one. She is not an artist; however, she does find inspiration in ordinary things, like bananas and monkeys, swimming pools and milk, spandex and leotards, disco dancing, her breasts, and[]

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Calypso is not from Homer, yet it is – the same as the immortal nymph Calypso – from a solitary land of shadows. It draws strength from the blackness of its inner universe which carefully forms into a movement and voice and is careful not[]

For years, the City of Women Festival and Emanat have successfully collaborated in the organisation of various workshops, and one of more notable has to do with the genre of burlesque and cabaret. The first such workshop in 2011 was conducted[]

For years, the City of Women Festival and Emanat have successfully collaborated in the organisation of various workshops, and one of more notable has to do with the genre of burlesque and cabaret. The first such workshop in 2011 was conducted[]

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Genesis is weaved from the dreams of the five performers. The world of GENESIS comes into being first as a dream, then as an embodied image and form. Every moment is the beginning, a return to the creative space where dreaming and the here and now[]

Upon a special jubilee and utterly festive anniversary of the City of Women, this year’s celebration is also joined by Image Snatchers, which will seduce the audience with their bittersweet vignettes of distortion, mocking, travesty and[]

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“Man is only an experiment, opposed by time, inevitability, fate and a stupid, constantly growing stronger prerogative of numbers. Humanity will kill man.” (Marguerite Yourcenar) []

Tuesday is somewhere in between; it’s not Monday which is cranky, nor Wednesday that is in the middle, or Thursday which anticipates the weekend. In my view, Tuesday has the most difficult role of all weekdays, a sort of ungrateful one.[]

In the framework of the Via Negativa projects (Starting Point: Anger [Izhodiščna točka: Jeza], More [Še], Would Would Not [Bi ne bi], Viva Verdi, Four Deaths [4 smrti]), Barbara Kukovec manifests the qualities of a[]

In content and motif the performance of this young and promising choreographer draws on different imaginative powers – human, animalistic, and mythological. Since culturally determined laws and principles operate on the unconscious level, they[]

A performance inspired by the extraordinary life and talent of the Slovenian sculptress Karla Bulovec. In the name of art, her extremely bohemian life with husband and dramatist Ivan Mrak renounced everything – comfort, home, family, even[]

A performance inspired by the extraordinary life and talent of the Slovenian sculptress Karla Bulovec. In the name of art, her extremely bohemian life with husband and dramatist Ivan Mrak renounced everything – comfort, home, family, even[]

A performance inspired by the extraordinary life and talent of the Slovenian sculptress Karla Bulovec. In the name of art, her extremely bohemian life with husband and dramatist Ivan Mrak renounced everything – comfort, home, family, even[]

Notice: During the performance, there were technical difficulties.  []

Maja Delak’s eleventh performance is the first production by the newly founded Emanat (Emanat Institute). A dance piece based on the pleasure of the physical and moving, Expensive Darlings is conditioned by the quasi-institutional status of[]

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Story-telling does not necessarily imply words. We all know that you can often tell by someone’s expression or gestures much more than words can express. In this sense, the dance goes beyond the spoken word. It explores and cultivates the[]

In content and motif the performance of this young and promising choreographer draws on different imaginative powers – human, animalistic, and mythological. Since culturally determined laws and principles operate on the unconscious level, they[]