Showcase Event

Filmed and edited by: Urša Rahne. Copyright: BY-NC-SA.

Video: Nika Ham. Video copyright: BY-NC-SA.

The first part in a series of six short insights into the topics offered by the exhibition of late works by Andrzej Wróblewski in the Museum of Modern Art, Ljubljana. Every weekend.

The first part in a series of six short insights into the topics offered by the exhibition of late works by Andrzej Wróblewski in the Museum of Modern Art, Ljubljana. Every weekend.

The fourth part in a series of six short insights into the topics offered by the exhibition of late works by Andrzej Wróblewski in the Museum of Modern Art, Ljubljana. Every weekend. Next topic: Headless Parents.

The third part in a series of six short insights into the topics offered by the exhibition of late works by Andrzej Wróblewski in the Museum of Modern Art, Ljubljana. Every weekend. Next topic: Headless Parents.

The second part in a series of six short insights into the topics offered by the exhibition of late works by Andrzej Wróblewski in the Museum of Modern Art, Ljubljana. Every weekend. Next topic: Headless Parents.

The first part in a series of six short insights into the topics offered by the exhibition of late works by Andrzej Wróblewski in the Museum of Modern Art, Ljubljana. Every weekend. Next topic: Headless Parents.

The exhibition centres on the artist’s ongoing investigation into the idea of political gifts of culture, exploring their role within national and political structures during moments of European crisis in the 20th century.

Karol Radziszewski presents a rich selection of Central and Eastern European queer archival materials from the collection of the Queer Archives Institute (QAI). The QAI, established by Radziszewski in November 2015, is a non-profit artist-run[]

The Rojava Film Commune, a collective of filmmakers founded in 2015 and based in the autonomous region of Rojava (which means “West” and refers to the western part of Kurdistan in contemporary northern Syria), inaugurate their[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

During the duration of Time Without Innocence. Recent Painting in Slovenia exhibition that posed the question of "What is the status of painting today?" the exhibited painters presented their work in short 20 minutes-long artist[]

Nika Ham’s creative practice presents the special relation between her artistic work and her “day job”. Her creative impulse stems from her specific situation as a young artist working part-time as a museum attendant at the Museum[]

A guided tour of The Unmaking of Art – Revisited at the Sites of Sustainability. Manifestos, Pavilions and Crypts exhibition, by the Technical Assistant of the Museum of Modernity. []

Choreographic statements are part of the Temporary Slovene Dance Archive’s exhibition programme hosted by +MSUM's Draught Series. Documentation and archiving process present such kind of use of time in dance work that inventories[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

Guided tours were offering reflections on the forming of the Slovenian contemporary dance and performance scene, on how certain things exist as echoes, at the same time, in reference to and developing from; while individual entries will form a[]

A look through a lens of ice: the distorted world reflects a vague, glimmering surface peopled with twisted forms offering momentary glimpses of the viewer’s own reflection. The spectacle takes place in the bowels of the earth, phantasmagorical[]

The marathon guide was part of the program to mark the 70th anniversary of the founding of the Museum of Modern Art and the seventh anniversary of the opening of the Museum of Contemporary Art Metelkova. Unlike the ordinary public guided tours[]

The marathon guide was part of the program to mark the 70th anniversary of the founding of the Museum of Modern Art and the seventh anniversary of the opening of the Museum of Contemporary Art Metelkova. Unlike the ordinary public guided tours[]

The marathon guide was part of the program to mark the 70th anniversary of the founding of the Museum of Modern Art and the seventh anniversary of the opening of the Museum of Contemporary Art Metelkova. Unlike the ordinary public guided tours[]

The marathon guide was part of the program to mark the 70th anniversary of the founding of the Museum of Modern Art and the seventh anniversary of the opening of the Museum of Contemporary Art Metelkova. Unlike the ordinary public guided tours[]

The marathon guide was part of the program to mark the 70th anniversary of the founding of the Museum of Modern Art and the seventh anniversary of the opening of the Museum of Contemporary Art Metelkova. Unlike the ordinary public guided tours[]

In Piscis ludicrous / Transfixed Gaze (Lygophilia) she showcases a non-human-subject, the Mexican salamander known as axolotl – one of many non-furry friends that have long transfixed the human mind – through different narratives: []

The Green Drawings is a project that uses the logic of free market capitalism to limit the total amounts of carbon dioxide (CO2) emissions into the atmosphere. Current environmental politics put great faith in the free market to govern[]

In 2007, three Slovenian artists joined the conservative Slovenian Democratic Party (SDS) and officially changed their names to that of the leader of the party, the Prime Minister of Slovenia at the time, Janez Janša. While they renamed[]