Zebrowska, Alicja: Onone – The World After the World [lecture]

Zebrowska, Alicja: Onone – The World After the World [lecture]

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Title Onone – The World After the World [lecture]
Type Showcase Event, Artist talk, Presentation, Solo exhibition
Date 4 October 2004
Venue Kapelica Gallery
City of production Ljubljana, Slovenia, Germany
Production City of Women
Language Polish
Format 720x576 pxl
Duration 11' 19"
URL Mesto žensk
Registration number CoW-2004-PRED-659

Synopsis

 

"Onone came into being inspired by a dream." (Alicja Zebrowska)

 

With her eyes closed, Alicja Zebrowska had a glimpse of Onone The World After the World, or the world before the world in front of which one seems to be dreaming with eyes open wide. Within the realm of the subconscious and the sublime, an individual journey becomes collective, and the artist's psyche/body one's own. Uniting the Polish 'he' and 'she' into one word, Onone speaks of an encounter between the Other and the Self in an androgynous body (allegory of art), re-membered as a true home in the artist's search for (a lost) identity. Within its corporeal and psychological borders Onone is a reincarnation of Hermaphroditos, the fe/male child of Hermes and Aphrodite in Greek mythology and embodiment of Jungian animus/anima, the unconscious masculine and feminine archetypes. The utopian creature represents spiritual/sexual healing the release of human pain originating in the separation of perfect archaic bisexual beings into two halves by the jealous gods (Plato). Onone liberates (the suppressed) and transcends (social construct), appearing as holy (ghost?), an icon to worship, a god/dess no longer fearing (bi)sexuality, which makes 'completeness unto itself' meaningful (Autoholos, photo). Thus created, the Garden of Eden circulates libidinal energy as the nectar of life (Onone, video), at the same time introducing contemporary artificiality, including implants and transparent plastic garments as a second skin. It might be because of its grotesque horror-comic body that Onone nevertheless needs to re-assure itself in absolute self perfection through 'Mirror, mirror, on the wall, who is the fairest of them all?' (Affirmatio, photo); and needs to re-visit the same old therapist (Freud) in the nineteenth-century Hypnosis (photo), this time bringing along a new, self-fertilised life. Only then is it (she) ready to move on.
Like the content of a champagne bottle that has just exploded into space, still holding a cork in the mouth, Onone (Autonekrophagos, photo) takes on a cosmic journey, leaving its earthly skin behind, and embracing the Self - yet to be discovered.

 

Source: City of Women

Artist, artistic group

Production

Venue