MG+MSUM

the lovest, revisited is a short documentary film (25 min), about JAŠA’s project entitled the lovest, a durational situational installation, a work in progress punctuated with events, which took place in the basement of Museum of Modern[]

A look through a lens of ice: the distorted world reflects a vague, glimmering surface peopled with twisted forms offering momentary glimpses of the viewer’s own reflection. The spectacle takes place in the bowels of the earth, phantasmagorical[]

The marathon guide was part of the program to mark the 70th anniversary of the founding of the Museum of Modern Art and the seventh anniversary of the opening of the Museum of Contemporary Art Metelkova. Unlike the ordinary public guided tours[]

The marathon guide was part of the program to mark the 70th anniversary of the founding of the Museum of Modern Art and the seventh anniversary of the opening of the Museum of Contemporary Art Metelkova. Unlike the ordinary public guided tours[]

The marathon guide was part of the program to mark the 70th anniversary of the founding of the Museum of Modern Art and the seventh anniversary of the opening of the Museum of Contemporary Art Metelkova. Unlike the ordinary public guided tours[]

The marathon guide was part of the program to mark the 70th anniversary of the founding of the Museum of Modern Art and the seventh anniversary of the opening of the Museum of Contemporary Art Metelkova. Unlike the ordinary public guided tours[]

The marathon guide was part of the program to mark the 70th anniversary of the founding of the Museum of Modern Art and the seventh anniversary of the opening of the Museum of Contemporary Art Metelkova. Unlike the ordinary public guided tours[]

The exhibition prepared by the Department for Restoration of the University of Ljubljana, Academy of Fine Arts and Design (UL ALUO) and the Department for Conservation-Restoration of the Museum of Modern Art and Museum of Contemporary Art Metelkova[]

The exhibition comprises four chapters. The artist’s production in his OHO years is presented with a number of his rapid installations in parks, forests, fields, and rivers: working with wooden sticks, string, candles or rolls of paper,[]

In Piscis ludicrous / Transfixed Gaze (Lygophilia) she showcases a non-human-subject, the Mexican salamander known as axolotl – one of many non-furry friends that have long transfixed the human mind – through different narratives: []

At this partnership event with the Boro LIKE project, people were invited to talk about how they, their family and relatives came to settle in Middlesbrough and make the town home. []

Throughout 2018, Middlesbrough Institute of Modern Art (MIMA) hosted a series of conversations around the importance of migration in the development of Middlesbrough and the Tees Valley. The oral histories and graphic illustration that document these[]

The Green Drawings is a project that uses the logic of free market capitalism to limit the total amounts of carbon dioxide (CO2) emissions into the atmosphere. Current environmental politics put great faith in the free market to govern[]

In 2007, three Slovenian artists joined the conservative Slovenian Democratic Party (SDS) and officially changed their names to that of the leader of the party, the Prime Minister of Slovenia at the time, Janez Janša. While they renamed[]

In Pavilion, Peter Rauch continues to follow the method developed in his series Objects and Community, basing his approach on his understanding of the correlation between an object and its function, or the meaning of an object and[]

Wildly differing in style, Wach and Tuka's latest two-handers both play with ideas of disappearance to our sense of being. The episodic ritual of Private Inventory, conceived as a choreography of the hidden, is followed by an imaginary[]

The performance is a part of the opening program of  Sites of Sustainability. Pavilions, Manifestos, and Crypts exhibition. []

In his minimalist installations of the last two years, Anže Sever’s focus has been on visible reality and the hidden potentials of space, which he explores with technology, light, and sound, and tests with disruptions, duration, and motion. []

Sanela Jahić is an intermedia artist who constructs visual and technologically supported kinetic objects and installations. Through technological tools, she problematizes society and individuals in it. In her latest production the artist places the[]

In recent years we have seen the emergence of urban community gardens, which are more than just about gardening, they are also a form of self-organizing and self-management, and a testing ground for diverse models of community living. New generations[]

Primož Bizjak explores local histories, borders, and symbolic boundaries. His interest focuses on space and architecture as they relate to society and the time we live in. Characteristic of his photographic approach is the use of long exposures,[]

Arjan Pregl's artistic practice expands into social space, making use of and critically reflecting (on) various available media. Taking into consideration his own role in society, Pregl develops critical, political, and resistance strategies. In[]

The works at the Triple Section exhibition connect urban situations in Brborović's two cities of residence. Though the works form parts of different series, the works on show here tell a tale of industrial areas and housing[]

Potočnik's banal direct realism attempts to present something spectacular or overlooked for the viewer to re-evaluate it. The choice of motives is dictated by everyday life events and the environment, and the painter is not particular or[]

Meta Grgurevič deals with questions of intimacy; cleansed elements of everyday life, traces of history and memory, playfulness of figures, enhanced triviality of objects and pop culture. []

The Technology of Making and Preserving Works of Art This project is the result of collaboration between Moderna galerija's Restoration-Conservation Department, the Restoration Department of the Academy of Fine Arts and Design at the[]

In 2000, Moderna galerija in Ljubljana founded the Arteast 2000+ Collection and staged its first public presentation in an unrenovated building of a former army barracks in the city’s Metelkova complex – in the building that now[]