Performance

The sound performance draws on the tradition of investigation in the field of experimental techno media associated with the production and distribution of sound signals in mechanics, electronics and art. Engineered sound machines combine elements of[]

The Arsenal DEPO programme is published on radioCona that was broadcasting the events on 88.8 MHz. []

Schizogram works through real-time cinematic abuse of analogue and digital technology. Interconnected AV equipment becomes sensitive, it is pushed to function in realms in which it behaves unpredictably. The abstract aesthetic of glitch and error is[]

The Arsenal DEPO programme is published on radioCona that was broadcasting the events on 88.8 MHz.

The Arsenal DEPO programme is published on radioCona that was broadcasting the events on 88.8 MHz.

The Arsenal DEPO programme is published on radioCona that was broadcasting the events on 88.8 MHz. []

Kapelica Gallery and Centre for Urban Culture Kino Šiška present superstar disco-noise-pop group MAYWA DENKI, featuring three human performers and an orchestra of robotized musical instruments. The performers’ rigorous corporate[]

Kapelica Gallery and Centre for Urban Culture Kino Šiška present superstar disco-noise-pop group MAYWA DENKI, featuring three human performers and an orchestra of robotized musical instruments. The performers’ rigorous corporate[]

Kapelica Gallery and Centre for Urban Culture Kino Šiška present superstar disco-noise-pop group MAYWA DENKI, featuring three human performers and an orchestra of robotized musical instruments. The performers’ rigorous corporate[]

Notice: Severely damaged sound and video on original miniDV tape. []

The two performers are connected to the instruments’ electronic network. They can produce sound by approaching each other and further, by establishing any form of physical contact like touching, hitting, kissing, etc. The sound that they[]

A solo performance including sound, video, video motion capture, text and body positions, dealing with bodies, machines, and everything in-between.

Sound intervention Error Trash v.1.3 continues experimentations of the 'Parallel Error Data 1.1' project where the process is focused on questions related to 'real-time' transmissions of audio-visual data in contemporary mass-used[]

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