Artwork

Video documentation. Camera and Edit: Urša Rahne. Copyright: BY-NC-SA.

The video documentation was edited specifically for Artemic Series presenting thoughts and interpretation of a selection of works from Moderna galerija Collection brought to you by Moderna galerija staff to their public at the time of[]

Moderna galerija is setting up a network of solidarity called “Fill Two Needs with One Deed”, aimed at two groups: artists and others in the field of culture who are ill or in the high-risk group and need help as they find themselves[]

The collective performance of artists and other experts in the field of visual art from all over Slovenia who have co-shaped the national cultural program is a reference to the traditional folk dance performed in a circle. In terms of art history,[]

The tracer of the movement Mojca Dimec is re-enacting a performance for the TrueClueRocket installation. The installation was created 30 years ago by Franc Purg in the year of the fall of Berlin Wall and is now partially[]

Iza Pavlina’s artistic interventions in the porn industry do not touch only on the issues that overlap with art, such as the construction of media images and their aesthetics. She asks what real opportunities young female artists have in[]

30 Seconds for Preservation happens as a periodical routine at a certain time each day when a group of people simultaneously open all the widows of the exhibition space in order to let the air flow freely through the space - from the inside out[]

Moderna galerija has a long-term relationship with the Livada elementary school, the school with the highest percent of non-Slovene pupils in the country. The third workshop was focused on creating a stop-motion animated film with mastering the[]

The video Mercedes Matrix documents a collective performance, originally performed at the 2019 edition of Krass Kampnagel festival in Hamburg, in which the artist and her family re-enacted their usual daily labour practice: the dismantling of a[]

the lovest, revisited is a short documentary film (25 min), about JAŠA’s project entitled the lovest, a durational situational installation, a work in progress punctuated with events, which took place in the basement of Museum of Modern[]

At this partnership event with the Boro LIKE project, people were invited to talk about how they, their family and relatives came to settle in Middlesbrough and make the town home. []

“Matilda is a woman; at least, she usually looks like one. She is not an artist; however, she does find inspiration in ordinary things, like bananas and monkeys, swimming pools and milk, spandex and leotards, disco dancing, her breasts, and[]

Wildly differing in style, Wach and Tuka's latest two-handers both play with ideas of disappearance to our sense of being. The episodic ritual of Private Inventory, conceived as a choreography of the hidden, is followed by an imaginary[]

The performance is a part of the opening program of  Sites of Sustainability. Pavilions, Manifestos, and Crypts exhibition. []

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Calypso is not from Homer, yet it is – the same as the immortal nymph Calypso – from a solitary land of shadows. It draws strength from the blackness of its inner universe which carefully forms into a movement and voice and is careful not[]

For years, the City of Women Festival and Emanat have successfully collaborated in the organisation of various workshops, and one of more notable has to do with the genre of burlesque and cabaret. The first such workshop in 2011 was conducted[]

For years, the City of Women Festival and Emanat have successfully collaborated in the organisation of various workshops, and one of more notable has to do with the genre of burlesque and cabaret. The first such workshop in 2011 was conducted[]

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Genesis is weaved from the dreams of the five performers. The world of GENESIS comes into being first as a dream, then as an embodied image and form. Every moment is the beginning, a return to the creative space where dreaming and the here and now[]

Simona Semenič’s first solo theatre piece entitled I, Victim. premiered in the context of the 13th City of Women Festival in 2007. The autobiographical text and performance that Simona directed and performed herself dealt with her[]

Upon a special jubilee and utterly festive anniversary of the City of Women, this year’s celebration is also joined by Image Snatchers, which will seduce the audience with their bittersweet vignettes of distortion, mocking, travesty and[]

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The project problematizes the low presence and representation of women in public spaces. It derives from a simple question: if the Slovenian capital has as many as 360 monuments of local significance, what is the number of annotations mentioning[]

The project problematizes the low presence and representation of women in public spaces. It derives from a simple question: if the Slovenian capital has as many as 360 monuments of local significance, what is the number of annotations mentioning[]

The performance of Taja Ivančič resembles the stroke of a brush on the canvas of life. This gesture envelopes a woman, wife, mother, painter, lover, caretaker, warrior... Confined to endure the projections of society that defines her, she[]

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Yugo Yoga is a series of participatory performances that traverse visual art, live art & movement theatre by fusing elements of yoga, archived physical exercises, poses from figurative revolutionary sculptures, political slogans and messages[]

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Štefka Drolc and Iva Zupančič; two brilliant Slovene theatre and film actresses, meet in a forest of memories where they talk about their lives. They go back to their childhood, their youth, to the source of their creative efforts. They go[]

The project problematizes the low presence and representation of women in public spaces. It derives from a simple question: if the Slovenian capital has as many as 360 monuments of local significance, what is the number of annotations mentioning[]

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“Man is only an experiment, opposed by time, inevitability, fate and a stupid, constantly growing stronger prerogative of numbers. Humanity will kill man.” (Marguerite Yourcenar) []

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The actress enacts her own death as a deeply intimate and extremely theatrical sensation all at the same time. Drop Dead is a play in which we all must act-out our role: the performer becomes a corpse, the viewer becomes an undertaker, the[]

What children of hate are being fed in this challenging performance? There is no doubt that this aims to reflect on the phenomenon of the war crimes of Yugoslavia through a gender perspective. Who, actually, did the breastfeeding of the war[]

The work represents a collective game of building card towers. Apart from being just a game, the tower of cards is also an expression, meaning structure or argument built on a shaky foundation or on one that will collapse if a necessary (but possibly[]

Paul Vanouse is an artist who uses molecular biology techniques as his toolkit. He posits that the DNA image is the most culturally authoritative artifact of our era, noting that in the courtroom it is deemed the “gold standard” of[]

“Ron Athey’s asshole has its own place in the history of contemporary performance art... His body is both shown to be holy (inspired by a divine something, its potential transcendence forever yanked back to the immanence of holes and[]

“Ron Athey’s asshole has its own place in the history of contemporary performance art... His body is both shown to be holy (inspired by a divine something, its potential transcendence forever yanked back to the immanence of holes and[]

In the performance, Ana speaks out and write down the names and surnames of 126 female artists which she has learned by heart by a predefined order. The number of the names is the same as the number of male artists she came up with by[]

The video is a documentation of a year-and-a-half-long action of looking for work, evolving around an ad stating: Visual artist urgently looking for any kind of work, which was published continuously in local advertising publications. []

The video is a documentation of a year-and-a-half-long action of looking for work, evolving around an ad stating: Visual artist urgently looking for any kind of work, which was published continuously in local advertising publications. While[]

The video is a documentation of a year-and-a-half-long action of looking for work, evolving around an ad stating: Visual artist urgently looking for any kind of work, which was published continuously in local advertising publications. []

The video is a documentation of a year-and-a-half-long action of looking for work, evolving around an ad stating: Visual artist urgently looking for any kind of work, which was published continuously in local advertising publications. []

The video is a documentation of a year-and-a-half-long action of looking for work, evolving around an ad stating: Visual artist urgently looking for any kind of work, which was published continuously in local advertising publications. []

The video is a documentation of a year-and-a-half-long action of looking for work, evolving around an ad stating: Visual artist urgently looking for any kind of work, which was published continuously in local advertising publications. While[]

The video is a documentation of a year-and-a-half-long action of looking for work, evolving around an ad stating: Visual artist urgently looking for any kind of work, which was published continuously in local advertising publications. []

Transcripts of text messages and telephone conversations related to the Visual artists urgently looking for any kind of work ad published in local advertising newspapers (Burza, Butiga) during the year-and-a-half-long project Looking[]